A has-been rock star falls in love with a young, up-and-coming songstress.
A sappy and overpraised movie that is all over the place trying to bite off a lot more than it can chew, even discarding its heavy-handed family drama (which gets solved in the most pathetic way) to focus on a corny romance - and it didn't deserve any of the Oscar nominations it got. Nick Nolte is a remarkable actor who has given some impassioned and compelling performances throughout his career, but The Prince of Tides is an exception.
| Rating: 3/5 The aesthetic grace of this drama sort of intensifies a sense of manufacturing here, but much more than that, it livens things up, doing a lot to drive the entertainment value which in turn does a lot to draw your attention towards the genuine value of this drama. All rights reserved. Even the final cliché of the two main characters falling in love with each other is pretty well portrayed. A deeply moving exploration of the tangled emotions of a dysfunctional Southern family, this lovingly crafted (though unevenly scripted) film of Pat Conroy's novel centers on Nick Nolte's performance of a lifetime. A Jewish girl disguises herself as a boy to enter religious training. | Rating: B Was this review helpful to you? February 3, 2012 The Prince of Tides is a 1991 American romantic drama film produced and directed by Barbra Streisand, based on the 1986 novel of the same name by Pat Conroy, and starring Streisand and Nick Nolte. I personally really like Barbra Streisand, and I think that this is a very good movie, even if not particularly for her own presence.
The percentage of Approved Tomatometer Critics who have given this movie a positive reviewThe percentage of users who rated this 3.5 stars or higher. The screenplay is well written and never exaggerated or out of track.
The Prince of Tides marks Ms. Streisand's triumphantly good job of locating that story's salient elements and making them come alive on the screen.
RT Comic-Con Ketchup A troubled man talks to his suicidal sister's psychiatrist about their family history and falls in love with her in the process.
R (adult situations/language, violence)
When the tide falls, under the pressure of conventions, repetitious dragging, and melodramatics which are made all the more glaring by sentimentality threaten to leave the final product to fall short of its potential, and on the backs of handsome cinematography by Stephen Goldblatt, beautiful score work by James Newton Howard, witty and well-rounded scripting by Becky Johnston and Pat Conroy, heartfelt direction by Barbra Streisand, and solid performances throughout a cast which Nick Nolte stands out from, "The Prince of Tides" rises as a rewardingly intimate portrait on finding personal revelations in yourself through family and new love.
Probably because it doesn't just happen during the final-five-minute-scene, but is developed enough to make it believable and not ridiculous. It tells the story of the narrator's struggle to overcome the psychological damage inflicted by his dysfunctional childhood in South Carolina. Directed with loving care by Barbra Streisand, this adaptation of the best-seller also boasts a serious flaw: Streisand herself. Conroy and Becky Johnston adapted the screenplay. Technically, the finest work is done by the cinematography, which is warm and wrapping. Clocking in at about 132 minutes in length, this intimate drama is simply too long, holding your attention throughout its course, - largely because it takes advantage of the length to flesh things out pretty thoroughly - but still dragging its feet with filler, if not material that isn't grand enough in scope to justify its excessiveness. The story of how Benjamin "Bugsy" Siegel started Las Vegas.
The Prince of Tides marks Ms. Streisand's triumphantly good job of locating that story's salient elements and making them come alive on the screen. A high-class call girl accused of murder fights for the right to stand trial rather than be declared mentally incompetent. Please enter your email address and we will email you a new password. Lila, divorced and now remarried with that wealth and social standing she so long desired, receives news that Savannah is in the hospital following her most recent suicide attempt. The soundtrack, by James Newton Howard, is lovely and really fulfills and underlines the whole movie.
As director, Streisand shows compassion for Pat Controy's Southern Gothic novel, and the film works better as a study of troubled childhood and male menopause than as romance between psychiatrist (poorly played by Streisand) and Nick Nolte as her patient Yeah, I don't think someone as perky as Jimmy Buffett necessarily fits here, because you know that you're in for a chilling ride when you look at the premise of being stuck in the tides with Nick Nolte. Unarguably, because her charming presence by itself is enough to fill up the entire screen.
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