“We make the most out of both digital and physical methods. Complemented by the thin white-tinted birch flooring, many wonder where the utilities are hidden. We trust you, our readers, to select the buildings that - due to their beauty, intelligence, creativity, or service to the community - represent the best architecture of the year.

Completed in 2008 in Oita, Japan. A distinct boundary is nowhere to be found, except for a gradual change in the domain. We trust you, our readers, to select the buildings that - due to their beauty, intelligence, creativity, or service to the community - represent the best architecture of the year. “However, I was able to get them to understand how this previously inconceivable design preserves the scenery and traditions of Montpellier while also paving the way for its future.” The project is scheduled to be completed in September 2018, but almost all the units have already been sold.This meeting of nature and architecture, the physical and the digital, the old and the new—what at first glance seem to be elements in opposition are, as Fujimoto says, “coming together in a new age of fusion in the 21st Century.” His speech at Architect Sou Fujimoto Has Radical Ideas for Familiar Communal Spaces Learn about Omishima Island’s post-tsunami revitalization project. I imagined that the city and the house are no different from one another in the essence, but are just different approaches to a continuum of a single subject, or different expressions of the same thing- an undulation of a primordial space where humans dwell.

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The house provides spaces of intimacy if two individuals choose to be close, while also accommodating for a group of guests by distributing people across the house.Sou Fujimoto states, “The intriguing point of a tree is that these places are not hermetically isolated but are connected to one another in its unique relativity. for sou fujimoto, the synthesis of nature and architecture is key--whereby our natural environment's complexity is injected into a man made sense of order.
At ArchDaily, we don't believe that "expert" juries are necessary to determine quality architecture. In 2016, design proposals were screened in a process that included public presentations, with many locals participating. I have always had doubts about streets and houses being separated by a single wall, and wondered that a gradation of rich domain accompanied by various senses of distance between streets and houses might be a possibility, such as: a place inside the house that is fairly near the street; a place that is a bit far from the street, and a place far off the street, in secure privacy.That is why life in this house resembles to living among the clouds. However, for this project, since it would be difficult to precisely integrate air conditioning and electrical equipment into the triangular roof design, Fujimoto introduced BIM early in the process, carrying out his design work in Autodesk “In addition to the technology we have at our disposal, time-tested design methods, such as building architectural models by hand, are essential to our work,” says Fujimoto.

Su proyecto, Village Vertical, ha sido elegido como la propuesta ganadora del concurso "Inventons la Métropole du Grand Paris". “At first, they were quite surprised,” says Fujimoto. Sou Fujimoto, Nicolas Laisné y Dimitri Roussel construirán una nueva puerta de entrada a la ciudad de Rosny-sous-Bois en Grand Paris. Ultimately, he created a daring design in which long terraces are placed outside every living room and bedroom in the complex.Each unit has multiple living spaces seemingly suspended in the air, with larger terraces reaching six meters (19 feet) wide and eight meters (26 feet) long. Lumber is … Going forward, I would like to continue fully utilizing this back-and-forth between the digital and physical worlds.”In stark contrast to the familiar shapes found in the Ishinomaki project, Fujimoto’s mixed-use housing tower under construction in Montpellier in southern France is an eye-catching building with a radical design. One might say that an ideal architecture is an outdoor space that feels like the indoors and an indoor space that feels like the outdoors. “It’s like a pinecone, or a head of broccoli, or some kind of tree—its organic complexity is reflected in our natural world. “I wanted to create a new landscape for Ishinomaki that people would find familiar both from near and afar,” Fujimoto says.Working on projects around the world from his studios in Tokyo and Paris, Fujimoto aims for structural forms that are simple and subtle in nature, yet distinctly otherworldly and playful.
At ArchDaily, we don't believe that "expert" juries are necessary to determine quality architecture.

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